How to write more powerfully for PR, offline and online

Written by Suzan St Maur


Continued from page 1

You’ll usually find thatrepparttar basic core of a press release can remain pretty wellrepparttar 103155 same across all media groups, because it consists (or should consist) ofrepparttar 103156 pure facts –repparttar 103157 old journalist’s formula of who, what, how, where, when and why.

What changes isrepparttar 103158 angle, and particularlyrepparttar 103159 lead-in. That meansrepparttar 103160 headline, which should be short and attention-grabbing, and thenrepparttar 103161 first two or three sentences that supportrepparttar 103162 headline and set uprepparttar 103163 whole story. Often it’s worth trying to work in a clever bit of word-play with headlines, but be very careful – a pun or play onrepparttar 103164 words that doesn’t work is worse than writingrepparttar 103165 headline straight.

By farrepparttar 103166 best guidance you’ll get, though, comes from studyingrepparttar 103167 audience –repparttar 103168 people who readrepparttar 103169 publications. What in your story is going to interest them?

·Readers of a trade journal will be interested in what’s new and different about your new product and how it could improverepparttar 103170 way they do business.

·Readers of local or regional business sections will be interested more in how your new product’s manufacturing and distribution, say, will impact onrepparttar 103171 local business community and economy.

·Local general newspapers and other media will be interested inrepparttar 103172 human side, i.e. how many new jobsrepparttar 103173 factory producingrepparttar 103174 new product will create.

·…etc.

And one last tip on how to getrepparttar 103175 best from press releases – use “quotes” fromrepparttar 103176 key people involved inrepparttar 103177 story.

Not those awful, meaningless corporate-babble quotes you so often see in company press releases … “We are delighted to be able to announcerepparttar 103178 new contract at this moment in time and we have every confidence that our latest investment will be of significant benefit to our…” you knowrepparttar 103179 type of thing. These are usuallyrepparttar 103180 first elements that get chopped out byrepparttar 103181 editor.

It’s perfectly OK to write quotes for your senior people, byrepparttar 103182 way. They very rarely give real quotes for anything other than TV or radio interviews but don’t seem to mind quotes being written for them, provided they’re givenrepparttar 103183 opportunity to check them before they’re issued.

So, write them quotes that – far from being beatific banalities – actually are telling important parts ofrepparttar 103184 story. This is good for two reasons:

1.It makes your senior exec look intelligent and aware of what’s going on inrepparttar 103185 organization, which is 100% more thanrepparttar 103186 banality-quote will do for him/her.

2.Because it’s an important part ofrepparttar 103187 story and contains useful facts,repparttar 103188 publication’s staff will be far less likely to edit it out.

Possibly you’re beginning to feel that in order to get press coverage you’ll have to turn yourself, your product and your entire board inside out and upside down. You could be right, but that’s PR. Remember that press coverage is not advertising**. Yes, it’s free and that’s wonderful, but as always there’s no such thing as a free lunch.

Editors will only put your stuff in, for free, if it is genuinely good for their publication and their readers, not for you. They do not care about your sales figures. They care about their own sales figures. Successful PR people and writers of press releases always, always bear these points in mind; in fact that’s why they’re successful.

**An exception to this is what’s known (inrepparttar 103189 UK at least) as “advertorial.” In case you don’t already know this is advertising copy written in editorial style, butrepparttar 103190 space it occupies is really an advertisement you pay for. If you’re obliged to write it, please just try to make it as honest as you can. Not easy.

Online tips

Nearly allrepparttar 103191 theory pertaining to offline PR is relevant torepparttar 103192 online equivalent – especially in terms of what content is of interest to publishers and what isn’t.

Online publishing of relevance to organizations usually falls into one of two pretty obvious groups; one, websites, portals etc that are totally independent and uniquely onrepparttar 103193 web, and two, those which arerepparttar 103194 online alter egos of offline publications.

In either group if you wantrepparttar 103195 publications to take your releases or submissions seriously, it’s very important that you followrepparttar 103196 format and structure of articles that appear onrepparttar 103197 websites concerned. Whatever you do don’t makerepparttar 103198 mistake of submitting a general press release to these organizations, even though you do it by e-mail.

Check first how longrepparttar 103199 teaser paragraph is that appears onrepparttar 103200 home or section page, and check how they lay outrepparttar 103201 full articles. Then submit material that fits perfectly, both in style and in word counts. Here’s why:

1.You will be saving themrepparttar 103202 trouble of reworking your piece which makes it attractive inrepparttar 103203 first place

2.Because it fits so perfectly you will discourage them from changing anything, which is also a huge advantage for you.

The other point I would make about online press work is don’t assume that just because you submit a release torepparttar 103204 offline publication (and even if they run it) it will be forwarded automatically torepparttar 103205 publication’s website. It won’t. At least not necessarily. And I’ve found that one outrepparttar 103206 hard way, believe me.

Treat offline and online versions as entirely separate entities; find out whorepparttar 103207 movers and shakers are on each, and often you’ll see thatrepparttar 103208 online version is run by an entirely different group of people.

Canadian-born Suzan St Maur is a leading business writer based in the United Kingdom. You can subscribe to her business writing eZine, “TIPZ from SUZE” on her website. And check out her latest book, “POWERWRITING” here: http://www.pearsoned.co.uk/bookshop/detail.asp?item=100000000016610&affid=STM or on B&N and any of the Amazons. © Suzan St Maur 2005 http://www.suzanstmaur.com


How to write more powerful reports

Written by Suzan St Maur


Continued from page 1

Naturally as you’re professional you will be as objective as possible. But if you do feel strongly one way or another, ensure that your argument is put as reasonably as possible without going on for pages and pages.

Remember, brief is beautiful, although it’s harder to write briefly (and include allrepparttar important points) than it is to produce words in abundance.

5. Don’t get carried away with illustrations

Graphs and charts are great to illustrate important issues and likerepparttar 103154 man said, “a picture is worth a thousand words.” However ensure that those you use are of a level of complexity that will be understood byrepparttar 103155 least topic-literate of your readers. There’s nothing more irritating than a graph that takes you 20 minutes to decipher.

It’s not so much a case that readers are too stupid to understand a complex graph, as it is that they don’t want to spend too much time working it out. The easier/quicker you make it for readers to understand and assimilate your information,repparttar 103156 more successful your report.

Try, also, to keep graphs and charts physically adjacent torepparttar 103157 text that talks aboutrepparttar 103158 same thing. There’s nothing more irritating forrepparttar 103159 reader if they have to keep flipping from front to back of a document. (When in doubt, think of someone reading your report on that crowded commuter train.)

6. Cutrepparttar 103160 clutter

Still on that topic, try to avoid including too many diverse elements in your report, no matter how long and involved it is.

If you do need to include appendices and various bits of background material, research statistics, etc., make sure they’re neatly labeled and contained atrepparttar 103161 back of your document.

As I suggested earlier, don’t ask readers to skip back and forth, directing them with asterisks and other reference directing symbols.

If you’re writing a medical report or paper then you’re obliged to include these when quoting references from other papers, but please keep even these to a minimum. They’re very distracting and can break your reader’s concentration.

7. Take some trouble to make it look nice

I know you shouldn’t judge a book by its cover, but people do. Like it or not. According to UK Image consultant Tessa S, when you walk into a meeting, 55% of your first impression of someone is reflected exclusively inrepparttar 103162 way you’re dressed. Documents fall intorepparttar 103163 same hole.

So how your document looks goes a long way to creatingrepparttar 103164 right impression of your work, and of you.

Obviously if a report is due to go outside your organization and particularly to clients or customers, you will be careful to ensure it’s polished and clearly branded with your corporate identity and all that.

However, how an internal report looks is important, too, although your Head of Finance might have apoplexy if you bind it in expensive glossy card. Be sensible withrepparttar 103165 internal variety – neat, understated, groomed looks don’t have to cost much but they “say” a lot aboutrepparttar 103166 value of your report (and you.)

8. A minute on minutes

I think minute-taking is a horrible job, having done so for 6 years while on a charity fundraising committee. And being useless at handwriting (thanks to decades of computers and typewriters) never mind shorthand (was thrown out of secretarial school after 3 weeks) I struggled for months to scribble everything down to précis later, until I realized that my brain was a far more efficient filter of information.

Atrepparttar 103167 end of each agenda item, I asked myselfrepparttar 103168 classic reporter questions of “who, what, where, when, why, how and how much.” All I had to do was jot down a few words and when I got home to my trusty PC, I could expand those into realistic summaries of what went on. As much ofrepparttar 103169 dialogue in meetings is either unnecessary, repetitive, or both, simply use your brain as a filter. That’s what it’s trained to do for you in your day-to-day life, so it works for meetings too.

One word of warning though; don’t wait too long before your work up your minutes. Another trickrepparttar 103170 brain does is to forget after a few hours or a day or so at most...

Canadian-born Suzan St Maur is a leading business writer based in the United Kingdom. You can subscribe to her business writing eZine, “TIPZ from SUZE” on her website. And check out her latest book, “POWERWRITING” here: http://www.pearsoned.co.uk/bookshop/detail.asp?item=100000000016610&affid=STM or on B&N and any of the Amazons. © Suzan St Maur 2005 http://www.suzanstmaur.com


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