Continued from page 1
You’ll usually find that basic core of a press release can remain pretty well same across all media groups, because it consists (or should consist) of pure facts – old journalist’s formula of who, what, how, where, when and why.
What changes is angle, and particularly lead-in. That means headline, which should be short and attention-grabbing, and then first two or three sentences that support headline and set up whole story. Often it’s worth trying to work in a clever bit of word-play with headlines, but be very careful – a pun or play on words that doesn’t work is worse than writing headline straight.
By far best guidance you’ll get, though, comes from studying audience – people who read publications. What in your story is going to interest them?
·Readers of a trade journal will be interested in what’s new and different about your new product and how it could improve way they do business.
·Readers of local or regional business sections will be interested more in how your new product’s manufacturing and distribution, say, will impact on local business community and economy.
·Local general newspapers and other media will be interested in human side, i.e. how many new jobs factory producing new product will create.
·…etc.
And one last tip on how to get best from press releases – use “quotes” from key people involved in story.
Not those awful, meaningless corporate-babble quotes you so often see in company press releases … “We are delighted to be able to announce new contract at this moment in time and we have every confidence that our latest investment will be of significant benefit to our…” you know type of thing. These are usually first elements that get chopped out by editor.
It’s perfectly OK to write quotes for your senior people, by way. They very rarely give real quotes for anything other than TV or radio interviews but don’t seem to mind quotes being written for them, provided they’re given opportunity to check them before they’re issued.
So, write them quotes that – far from being beatific banalities – actually are telling important parts of story. This is good for two reasons:
1.It makes your senior exec look intelligent and aware of what’s going on in organization, which is 100% more than banality-quote will do for him/her.
2.Because it’s an important part of story and contains useful facts, publication’s staff will be far less likely to edit it out.
Possibly you’re beginning to feel that in order to get press coverage you’ll have to turn yourself, your product and your entire board inside out and upside down. You could be right, but that’s PR. Remember that press coverage is not advertising**. Yes, it’s free and that’s wonderful, but as always there’s no such thing as a free lunch.
Editors will only put your stuff in, for free, if it is genuinely good for their publication and their readers, not for you. They do not care about your sales figures. They care about their own sales figures. Successful PR people and writers of press releases always, always bear these points in mind; in fact that’s why they’re successful.
**An exception to this is what’s known (in UK at least) as “advertorial.” In case you don’t already know this is advertising copy written in editorial style, but space it occupies is really an advertisement you pay for. If you’re obliged to write it, please just try to make it as honest as you can. Not easy.
Online tips
Nearly all theory pertaining to offline PR is relevant to online equivalent – especially in terms of what content is of interest to publishers and what isn’t.
Online publishing of relevance to organizations usually falls into one of two pretty obvious groups; one, websites, portals etc that are totally independent and uniquely on web, and two, those which are online alter egos of offline publications.
In either group if you want publications to take your releases or submissions seriously, it’s very important that you follow format and structure of articles that appear on websites concerned. Whatever you do don’t make mistake of submitting a general press release to these organizations, even though you do it by e-mail.
Check first how long teaser paragraph is that appears on home or section page, and check how they lay out full articles. Then submit material that fits perfectly, both in style and in word counts. Here’s why:
1.You will be saving them trouble of reworking your piece which makes it attractive in first place
2.Because it fits so perfectly you will discourage them from changing anything, which is also a huge advantage for you.
The other point I would make about online press work is don’t assume that just because you submit a release to offline publication (and even if they run it) it will be forwarded automatically to publication’s website. It won’t. At least not necessarily. And I’ve found that one out hard way, believe me.
Treat offline and online versions as entirely separate entities; find out who movers and shakers are on each, and often you’ll see that online version is run by an entirely different group of people.
Canadian-born Suzan St Maur is a leading business writer based in the United Kingdom. You can subscribe to her business writing eZine, “TIPZ from SUZE” on her website. And check out her latest book, “POWERWRITING” here: http://www.pearsoned.co.uk/bookshop/detail.asp?item=100000000016610&affid=STM or on B&N and any of the Amazons. © Suzan St Maur 2005 http://www.suzanstmaur.com