Cirque du Soleil's KA at MGM Grand in Las Vegas

Written by Linda Lane


Continued from page 1

Interactive projections designer Holger Forterer is using technology along with live performers to create a new art form. The Cirque press material describes these realistic images, explaining: “The video projections in KA are an intricate mix of computer-generated effects and human input that turn performance space into a cinema screen.” Choreographer Jacques Heim creates a series of acrobatically orchestrated jousts and combative practices that go beyond dance. Throughoutrepparttar show he has designed fluid dance sequences.

Guy Caron, credited as Director of Creation brings decades of theatrical and Cirque experience into play. According to Caron, “The script wasrepparttar 109740 element that dictatedrepparttar 109741 wayrepparttar 109742 theatre is built, and it determined howrepparttar 109743 sets would be used. That’s totally new for Cirque du Soleil.”

Possiblyrepparttar 109744 Bellagio’s “O” theater, with its multi-leveled swimming pool to dry stage dictatedrepparttar 109745 sequences. The concept forrepparttar 109746 theater came first,repparttar 109747 show second. With KArepparttar 109748 script came first. Caron and Robert Lepage take us on a journey that incorporatesrepparttar 109749 real andrepparttar 109750 surreal.

After fighting and survivingrepparttar 109751 elementsrepparttar 109752 royal princess and her caretakers find themselves on a beach where Michael Curry’s amazing sea creatures emerge. Backstage,repparttar 109753 master designer, renowned forrepparttar 109754 Lion King, explained, “We’re trying to find a familiar world that is fantastic and different atrepparttar 109755 same time.”

To readrepparttar 109756 entire feature for free with photos, visit: http://www.jetsettersmagazine.com/archive/jetezine/shows/vegas/ka/ka.html

— by Linda Lane, Las Vegas Correspondent.

Linda Lane, Las Vegas Correspondent for Jetsetters Magazine at www.jetsettersmagazine.com Join the Travel Writers Network.


Joshua Tyler

Written by Lightsaber Livin


Continued from page 1

Star Wars didn't used to be about blood or sabering off limbs. It was something innocent, iconic. That's not to say Revenge ofrepparttar Sith shouldn't be darker. Of allrepparttar 109739 Star Wars films, this isrepparttar 109740 one that should berepparttar 109741 grittiest,repparttar 109742 most violent,repparttar 109743 most disturbed. I'm fine with that. I'm even fine with people being geeked out about lightsaber battles. I just wish that wasn't fandom's entire burning focus. It seems to me that with Star Wars, there used to be more to it than that.

But then perhaps fans are simply grasping on torepparttar 109744 only thing about Lucas' prequels that hasn't been an utter disappointment. No matter how badrepparttar 109745 dialogue gets or how boringrepparttar 109746 plot, lightsabers are still cool. There's no screwing up that.

Joshua Tyler is the Owner and Creator of CinemaBlend.com, a movie news and review resource updated daily and available for paid syndication.


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