Continued from page 1
Scene four . . .
The scene is in
village where men pounding poi from fresh taro roots and women beating kapa exemplify simple village life in Hawaii. The sister of
young ali`i has a vision of
Kapa Goddess while she works. Then
Makahiki, a long white Tapa banner honoring
God of agriculture, Lono, announces
annual celebration of
Makahiki Harvest Festival, a time of thanksgiving, sports, and taboo on war.
The European Explorer arrives and interrupts
climax of
Makahiki Festival. The great white sails reveal a similarity with Lono's banner. The island inhabitants then vow reverence and great respect as they believe
God Lono has arrived in human form. The audience is taken to
next scene exposing
differences between two worlds and an introduction of foreign elements. After
death of King Kamehameha,
old kapu system is overthrown, resulting in conflict between
old and new ways.
One of
most enthralling scenes depicts
forces of nature—"Pele",
volcano goddess—explodes in response to turbulent times, unleashing her fury by emitting yards of lava-red cloth from her robes. The performers pull
cloth over
audience, all
way back to
700-seat theatre, built especially for Ulalena, as spectators raise their hands to support it as it passes overhead.
In another exciting scene, a mo`o (w
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