Baroness Elisa and Synergy to Perform in Tromso Norway Thursday May 26th

Written by Daniel J. Rowe

Continued from page 1

Great musical theater songsrepparttar Baroness has chosen for this charity theatrical event are dramatically intense, touching, witty, ironic, and just plain charming. Baroness Elisa, who has performed on world stages throughout Europe and Australia, noted, “It is an honor and privilege to perform for this noble and important cause”. The intimate three hundred seat Crest Theatre in Delray Beach provides a perfect theater venue whererepparttar 139753 Baroness Elisa’s charisma and audience connection can thrive. The Crest Theatre is located atrepparttar 139754 historic Old School Square, 51 North Swinton Ave., in downtown Delray Beach. Theater reviewers raved aboutrepparttar 139755 Baroness’ show: “The slender red-headed ingénue meltsrepparttar 139756 hearts of audiences. She is in every sense ofrepparttar 139757 word a beautiful woman, earthy, gentle, and comfortable with herself, and in touch with her audience. The Baroness is joined her talented musical director, husband, and Baron, Peter Gerolymatos onrepparttar 139758 piano.” Ticket prices are affordably priced at $50 and may be purchased onrepparttar 139759 internet through Ticketweb at or by calling 866-468-7630.

Contact Information: Daniel Rowe

Crest Theatre Media Contact: Melissa Carter 561-243-7922


Review: Audioslave - Out of Exile

Written by Chris Elkjar

Continued from page 1

The album moves through a dozen songs that all followrepparttar same basic formula;repparttar 139752 album does ‘rock’ at a few occasions, butrepparttar 139753 tone and attitude just seems to have been completely lost. It seems likerepparttar 139754 band is just going throughrepparttar 139755 motions and then moving on. A few ofrepparttar 139756 songs have a very strong Soundgarden feel to them, while others seem to be some sort of Led Zeppelin effects laden tribute,repparttar 139757 album’s seventh track The Worm especially.

The bands first release consisted mainly of Rage againstrepparttar 139758 Machine leftovers, butrepparttar 139759 few songs whererepparttar 139760 band actually let themselves go, namely The Last Remaining Light and Shadow onrepparttar 139761 Sun, were extravagant and exciting. I got this album hoping that this type of writing would dominaterepparttar 139762 album; sadly this is just simply notrepparttar 139763 case. The only track that I can recommend to anyone isrepparttar 139764 title track, andrepparttar 139765 only reason I recommend it is because it is written like a self-titled Rage againstrepparttar 139766 Machine era nostalgia track. I guess that’s basically whatrepparttar 139767 band has decided to sink to, a tribute to what they used to be.

Sadly this album will probably soar uprepparttar 139768 rock charts and makerepparttar 139769 band millions of dollars, in some ways you have to respectrepparttar 139770 band for being able to make money by re-writingrepparttar 139771 same songs they have been writing since 1991, but it’d be nice to see some sort of growth. Turning to pop-rock; U2 style, may be growth, butrepparttar 139772 majority ofrepparttar 139773 bands core fans will think it’s moving inrepparttar 139774 wrong direction.

Overall: 3.9

Chris Elkjar is the founder of '' an online music magazine. He spends all of his spare time immersed in music, be it writing reviews, interviews with leading bands or writing his own music.

For more of his writing, check out - Music for robots

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