Armoured Angels?

Written by Robert Bruce Baird


Continued from page 1

Angels onrepparttar Sistine ceiling drawn Above our earthly ego’s brawn So why are our angels fighting wars? Our children dying byrepparttar 126658 scores Truly now we all must turn Ecclesiastes, times a changing New Age old thought re-arranging Children Gothic Churches burn Parents wonder what makes them yearn The lies and warsrepparttar 126659 Church has wrought It really doesn’t take much good thought I sayrepparttar 126660 parents and teachers or other sorts Should organize and change laws and courts Ask not ifrepparttar 126661 children learn They’ve learned so wellrepparttar 126662 angel’s swords From your actions…. Not your words!

World-Mysteries.com Author of Diverse Druids Columnist in Enchanted Spirit Press E-zine


It's Called Jewish Music, But Is It Really Jewish?

Written by Seth Yisra'el Lutnick


Continued from page 1

Hold on. We're both right, I believe. Here's how I reconcilerepparttar difference, and my earnest appeal to all who create Jewish music. The most important thing is to ask, "To be or not to be?" That isrepparttar 126657 question.

Every song has a purpose, a message. It can be joy, faith, pensiveness, determination, anything. The message is inrepparttar 126658 melody and rhythm, which createrepparttar 126659 atmosphere. It's inrepparttar 126660 text, which gives articulation torepparttar 126661 message. And it's inrepparttar 126662 performance, which makesrepparttar 126663 message personal betweenrepparttar 126664 performer andrepparttar 126665 listener. Ifrepparttar 126666 message is congruent, ifrepparttar 126667 music andrepparttar 126668 lyrics are a perfect union that inspiresrepparttar 126669 performer, then you have a great piece of music. Ifrepparttar 126670 message is mixed, if there's a battle going on betweenrepparttar 126671 rhythm andrepparttar 126672 words, then we are troubled. That was why that "kumee oy'ree" was so absolutely awful. It was a mixed message of licentious music with holy texts.

We love to set verses fromrepparttar 126673 liturgy to music, and that's wonderful. Composers have a special responsibility to make sure thatrepparttar 126674 music conveysrepparttar 126675 message and colorsrepparttar 126676 words with deeper meanings. Do that, and I'm fascinated, I'm inspired, even if it's a contemporary style.

But be very, very careful with verses. We tend to ask, "Do you think Adon Olam goes to this?", when we would do better to ask, "What is this melody saying?". If it says Adon Olam, good. If it does not, then WRITE YOUR OWN WORDS. To keep withrepparttar 126677 idea of message, if you have a great tune that can say something worthwhile (something human and real, not negative or immodest), say it your way. That satisfies.

The foundation of Jewish music has always been expressing what's in our hearts as a prayer to God. That expression must be congruent, pure, sincere. There is room inrepparttar 126678 Jewish music world for great innovation, if it comes from our hearts, not fromrepparttar 126679 charts.

Seth Yisra'el Lutnick is a singer and composer who has performed on stage and screen. His CD is called Gesharim, and he is also a trained cantor. Visit his website, http://www.greatjewishmusic.com for music and more.


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