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Hold on. We're both right, I believe. Here's how I reconcile
difference, and my earnest appeal to all who create Jewish music. The most important thing is to ask, "To be or not to be?" That is
question.
Every song has a purpose, a message. It can be joy, faith, pensiveness, determination, anything. The message is in
melody and rhythm, which create
atmosphere. It's in
text, which gives articulation to
message. And it's in
performance, which makes
message personal between
performer and
listener. If
message is congruent, if
music and
lyrics are a perfect union that inspires
performer, then you have a great piece of music. If
message is mixed, if there's a battle going on between
rhythm and
words, then we are troubled. That was why that "kumee oy'ree" was so absolutely awful. It was a mixed message of licentious music with holy texts.
We love to set verses from
liturgy to music, and that's wonderful. Composers have a special responsibility to make sure that
music conveys
message and colors
words with deeper meanings. Do that, and I'm fascinated, I'm inspired, even if it's a contemporary style.
But be very, very careful with verses. We tend to ask, "Do you think Adon Olam goes to this?", when we would do better to ask, "What is this melody saying?". If it says Adon Olam, good. If it does not, then WRITE YOUR OWN WORDS. To keep with
idea of message, if you have a great tune that can say something worthwhile (something human and real, not negative or immodest), say it your way. That satisfies.
The foundation of Jewish music has always been expressing what's in our hearts as a prayer to God. That expression must be congruent, pure, sincere. There is room in
Jewish music world for great innovation, if it comes from our hearts, not from
charts.

Seth Yisra'el Lutnick is a singer and composer who has performed on stage and screen. His CD is called Gesharim, and he is also a trained cantor. Visit his website, http://www.greatjewishmusic.com for music and more.