Abingdon Square Play Los Angeles

Written by Kim and Don Tatera


Continued from page 1

What impressed merepparttar most aboutrepparttar 109723 presentation of this dramatic period piece wasrepparttar 109724 excellent lighting and music. Both of which easily, and often, eerily ledrepparttar 109725 viewer from one emotional scene torepparttar 109726 next. Having thirty-one linear scenes, this meant a great deal of swift scene changes inrepparttar 109727 roughly 90 minutes of theater production time. The back ofrepparttar 109728 stage was uplit from behind a row of shrubs that were often hidden from view behind a curtain and hence, created ominous shadows.

The stage lighting design of Dan Reed created a sense of revolving or continuing motion asrepparttar 109729 row of uplights began on one side ofrepparttar 109730 stage and crossed torepparttar 109731 other side one by one. Like a domino effect, lights went on and dimmed. For those who have seenrepparttar 109732 amazing computer choreographed music, water and light show atrepparttar 109733 Bellagio Hotel and Casino in Las Vegas, you will understandrepparttar 109734 slick motion and emotion created when one views such majesty. In this case, there was no water, butrepparttar 109735 lighting, and resulting shadows, combined withrepparttar 109736 sound design of Tim Labor andrepparttar 109737 ethereal and often nutty period music of Janet Cline Slaughtery drewrepparttar 109738 audience in closer torepparttar 109739 drama that was unraveling before our eyes.

To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/shows/lax/abingdon/abindgon.html

Kim and Don Tatera, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com



Kim and Don Tatera, Jetsetters Magazine Correspondent. Join the Travel Writers Network in the logo at www.jetsettersmagazine.com Leave your email next to the logo for FREE e travel newsletter.


Zumanity at the New York New York Hotel in Las Vegas

Written by Linda Lane


Continued from page 1

Zumanity was written and directed by Dominic Champagne and Rene Cry, two accomplished theater directors from Quebec. Explaining their vision inrepparttar program, they write, "Sincerepparttar 109722 dawn of time,repparttar 109723 joining of bodies, that thirst for each other, has always beenrepparttar 109724 highest rapture,repparttar 109725 most joyous mystery, andrepparttar 109726 greatest revolutionary force. Eroticism is a cry for ecstasy, for freedom, and we have chosen to celebrate it joyfully, naturally, with splendour and humanity. With pleasure we offer you a bead of sweat, a seductive wink, a torrid kiss, a racing pulse, a flushed face, a curious hand, and feather-soft fingertips - a love letter from us to you. May you thrill with desire, may your eyes be filled with wonder, may your hair stand on end, and may you tingle in every pore until you quiver with delight - that is what we wish for you".

To read this entire feature FREE with photos cut and paste this link: http://jetsettersmagazine.com/archive/jetezine/shows/zumanity/zumanity.html

Rob LaGrone and Linda Lane, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com



Linda Lane, Jetsetters Magazine Correspondent. Join the Travel Writers Network in the logo at www.jetsettersmagazine.com Leave your email next to the logo for FREE e travel newsletter.


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