Era of Throwaway LyricsI often thought it was
generation gap or perhaps
evolutionary cycle or simply a sign of
end times. But, whatever it is, one thing is certain: that music has changed immensely in
20th century.
For brevity, my focus shall be on
sixties and seventies, when
nations seemed to have come alive with
lyrics and rhythm of
time and
nineties, when they seem to have lost that rhythm change that drove
sixties.
While music has grown in other times,
sixties saw an explosion in
industry. It did not only grow in size, but also in quality. Performers elevated
art to a new high, using their talents to address
needs and concerns of society.
In Africa, artists turned out hit after hit. This was especially true in central and western Africa. The folkloric songs of
fifties were replaced by
more vibrant, more up beat rhythm of
sixties. In Zaire, Franco in his hit song "Trezempoli," which translates "very impolite," criticized those who smoke in offices where they do not like smoke. Also in Zaire, Tabuley in his song "Sara" talked about
problem of divorce. In his philosophy divorce is unthinkable. Nigeria’s, Fela Anikulapo Kuti, in his massive hit "Zombie", done in Nigeria's unofficial lingua franca, Broken English, berates
military government of then General Olusegun Obasanjo for its lack of vision and
soldiers for their blind obedience. "Zombie no go think unless you tell am to think…" he lamented.
In
Caribbean,
Ska was polished and elevated to
richer, more balanced Rocksteady, with a lot of infusion of
African drum, and finally to
internationally acclaimed Reggae beat. Joe Higgs, Desmond Decker, and Bob Marley were some of
early apostles. In his hit song "War," Bob Marley reechoed a speech made by Emperor Haile Selassie of Ethiopia at
United Nations in
1960's. "Until
philosophy which holds one race superior and another inferior, is finally and permanently, discredited and abandoned, everywhere is war." Also from
Caribbean, Jimmy Cliff, in his classic “Vietnam” lent a credible voice to
opposition against America’s carnage in that country. "Yesterday I got a letter from my friend, fighting in Vietnam… Tell all my friends that I will be coming home soon, my time will be up sometime in June. But Mrs. Brown your son is dead.” Yet, in another hit he lamented
widening divide between
rich and
poor. “It’s a pain to see we are in a sad situation, suffering in
land. The rich is getting richer and
poor…”
The story was
same in America. Descendants of Negro slaves turned
beats and experiences of White America's cotton fields into new forms, imbuing them with new spirituality and new energy that gave added impetus to their struggle. Candy Staton, in "In
Ghetto," captured
mood and spirit of Negroes trapped in
ghettoes of North America. "If there is anything she don't need, it’s another little hungry mouth to feed in
ghetto… and his mama cried." James Brown, in "I am Black and Proud," sought to bring pride back to blackness, which hitherto had been a burden and a badge of dishonor and scorn to those who wore it. “Say it loud, I am black and proud,” he implored. Cart Stevens, “Wild World”- now that I have lost everything to you …but if you wanna leave take good care, hope you make a lot of nice friends out there but just remember a lot of nice things turn bad out there…”